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Why Skipping Clay Conditioning Can Ruin Your Polymer Projects

  • Writer: Leah Milsom
    Leah Milsom
  • Jul 11, 2025
  • 3 min read

Hi, I'm Leah, I’m a handmade polymer clay artist passionate about bright, colourful pieces and expressing yourself through your creations. This series is about sharing my experience to help you avoid common pitfalls in this craft. Whether you’re just starting out or looking to improve your skills, this series explores the most frequent mistakes polymer clay artists make, in an attempt to smooth out your learning process. Each post explains why these mistakes happen, how they can affect your work, and what best practices will help you create stronger, smoother, and more professional pieces every time.


The series includes:


  • Improper baking

  • Working with dirty hands or surfaces

  • Using the wrong tools

  • Mixing incompatible materials

  • Rushing the process

  • Making pieces too thick or uneven

  • Skipping finishing touches.


Thanks to scheduling internet magic, some of these posts may already be up by the time you're reading this, so go check them out!


Why Skipping Clay Conditioning Can Ruin Your Polymer Projects


Polymer clay is a wonderfully versatile material, perfect for everything from miniature sculptures to intricate jewellery. But one of the most overlooked steps, especially by beginners, is conditioning the clay before you use it. At first glance, it might seem like an unnecessary or tedious step. The clay looks fine out of the package, right? But skipping or rushing through conditioning can seriously impact the quality, durability, and appearance of your work.


So, what does "conditioning" mean? In short, it's the process of kneading and warming up the clay to improve its texture and workability. Polymer clay is made of PVC particles suspended in a plasticiser. When the clay sits for long periods, especially in cold or dry environments (common in the UK, unfortunately!), those ingredients can begin to separate slightly or become stiff. Conditioning evenly distributes the plasticiser and helps the clay reach a smooth, workable consistency. It also ensures the clay is flexible and strong after baking. This makes creating things like earrings with unique designs much more within your control.


The mistake people make is assuming that clay right out of the package is ready to go, or that a few quick squeezes between their fingers are enough. The result of poorly conditioned clay is often cracking, splitting, or weakening during or after baking. Even without these drawbacks, unconditioned clay just doesn't do as you want it to; it won't let you work it into the shapes you're trying, and your work will end up disappointing and frustrating. You may not even notice a problem until you try to flex or assemble the piece, and it snaps. In more detailed projects, poorly conditioned clay can lead to lumps, air pockets, or poor blending between colours, which can make your final product look sloppy or inconsistent.


The best way to avoid this is to spend a few extra minutes preparing your clay. Start by cutting it into small chunks (10g or less) and kneading it with your hands until it's soft and pliable. If it's particularly firm, you can warm it slightly by holding it in your hands or using a heating pad. For larger batches or very stiff clay, a pasta machine (dedicated to crafting use) is incredibly helpful. Running clay through the machine repeatedly not only softens it but also helps align the clay particles and removes air bubbles.


You’ll know your clay is conditioned properly when it stretches slightly without breaking, feels smooth to the touch, and has an even consistency. Another test is to roll it into a small ball and flatten it between your fingers. If the edges crack, it needs some more conditioning but if it creates a disc with smooth edges, it's ready! This step also helps reduce the appearance of fingerprints and makes sculpting much easier, especially when you're working on a piece with fine details or trying to blend multiple pieces together.


If your clay is crumbly or overly dry, don’t panic. There are clay softeners available that can be added in small amounts to restore workability. Alternatively, a drop of mineral oil or baby oil can help, but use sparingly and mix thoroughly.


Conditioning might seem like a hassle when you're eager to get started, but it's one of the most important parts of working with polymer clay. It’s your foundation—if you skip it, even the most beautiful design can fail. Treat it as part of your creative ritual, and your projects will be stronger, more flexible, and more professional in appearance.



Take for example, these hoop earrings with a four-part braid. If I didn't condition the clay thoroughly before use, the strands would crack and snap as I braided them. These handmade earrings are very durable and flexible after baking, but without proper conditioning they would have many weak points throughout. Love your handmade artisan creations and give them a well made foundation!


 
 
 

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